Cooke introduced the new Panchro/i Classic series as a result of renewed interest in the vintage Cooke Speed Panchro lenses that were originally manufactured between the 1920s and 1960s.
The new Panchro/i Classic is true to the optical character of the original Speed Panchro, recreating the same look and feel of the original with the advantage of modern glass, mechanical design and lens mounts for today’s cinematography cameras. The Panchro Classic lenses also feature the Cooke /i Technology interface for frame by frame metadata capture.
Cooke Panchro/i Classics are a particularly interesting lens choice for digital sensor cameras such as the Sony VENICE and ARRI Alexa Mini which can often benefit from a softer/more gentle visual style.
Our set of Cooke Panchro/i Classic lens set includes the 18, 25, 32, 40, 50, 75 & 100mm focal lengths. Please note that 152mm focal length Panchro Classic is due to arrive in August this year and will complete the set (with 8 lenses in total).
A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors.
With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and Ultra Primes.
The Supreme Primes are particularly recommended for large format cameras such as the Sony VENICE and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the Sony FS7 MKII and the Canon C300 MKII.
These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan.
The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range.
Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number.
Dating from the 1960s, this seven-way set of characterful, vintage lenses have been professionally rehoused by P+S Technik and cover Super 35mm format.
The vintage look of the glass is perfectly complemented by the robust PL housing, complete with 0,8 pitch gears for modern wireless and manual lens control units, allowing precision control when using these distinctive lenses.
Compact, lightweight set of Cooke lenses great for getting the “Cooke look” on tighter budgets.
Only one stop slower than standard S4/i lenses, this Cooke set offers top-quality pictures packaged in a gimbal-friendly housing. Colour-matched to all other modern Cooke lenses, these are particularly useful for stunts sequences where insurance prices spike.
All Mini-S4i lenses feature the electronic /i technology which enables film and digital cameras to automatically record key lens and camera data for every film frame, which can then be provided digitally to post-production teams. The technology streamlines both production and post, saving significant time and costs and eliminating guesswork, while enabling greater creative freedom.
Punching in tighter than the 100mm included with our standard five-way set, the 135mm Cooke anamorphic is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2.3 maximum aperture which is found in almost every lens in the Anamorphic series. The 135mm Cooke Anamorphic, along with the Cooke Anamorphic Set, is colour balanced to match with the Cooke S5/i, S4/I and Mini S4/I “Panchros” lenses.
The Atlas Orion 2x anamorphic lenses were developed as a modern, lightweight anamorphic lens set whilst retaining the classic characteristics of shooting on non-spherical glass. Therefore, count on them for front-element anamorphic flare, distinctive oval bokeh and disproportionate breathing.
And, as well as being pleasing on the eye, you’ll find that the Atlas Orion anamorphic lenses are extremely agreeable on the production budget.
The set is currently only available in PL mount configuration but we expect to have other lens mount options available for hire soon. The Atlas Orion Anamorphic ‘B set’ comprising of 32mm, 50mm and 80mm focal lengths is also joining our rental inventory later on this year.
Punching in tighter than the 100mm included with our standard six-way set, the 135mm Cooke S4i is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2 maximum aperture which is found in almost every lens in the S4i series. The 135mm S4i is colour balanced to match with Cooke 5/i, S4/i, Anamorphic/i and Mini S4/i lenses.
The 14mm is one of the widest focal lengths in the Cooke S4i lens line-up and is a useful addition to the standard set when the 18mm is not quite wide enough.
As one of the longest focal lengths in the Cooke S4i lens range, the 180mm is recommended for achieving close-up & portrait/telephoto shots from distance.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2 maximum aperture which is found in almost every lens in the S4i series. The 180mm S4i is also colour balanced to match with Cooke 5/i, S4/i, Anamorphic/i and Mini S4/i lenses.
With a focal length of 12mm, this is the widest lens in the Cooke S4i lens series. Like all Cooke S4i primes, the 12mm is colour balanced to be compatible with Cooke 5/i, miniS4/i and Anamorphic/i lenses. It also maintains the T2 maximum aperture which is standard across the S4i lens range.
The Cooke 12mm S4i has a 156mm front diameter and is supplied with a two-stage 6×6 clamp-on mattebox.
Originally manufactured by the German optical house Astro-Berlin in the 1950’s, this rehoused lens offers a distinctive and very unique aesthetic, particularly when paired with modern digital sensor cameras. Featuring a maximum aperture of T2 and weighing in at less than 1kg this lens can be used in a variety of set ups.
Get in touch and book a test with this one of a kind lens.
Sitting between the 50mm & 75mm S4i primes supplied in our standard set, the Cooke S4i 65mm is a useful choice when an expanded range of focal length is required.
The Cooke S4/i 65mm features the distinctive 'Cooke Look' optical characteristic and shares the T2 maximum aperture found in almost all S4i lenses.
Part of the Cooke S4i lens range, the 40mm is a useful 'in between' lens, sitting amidst the popular S4i 32mm and 50mm focal lengths.
The 40mm features the distinctive 'Cooke Look' optical characteristic and also retains the T2 maximum aperture which is found in almost every lens in the S4i series.
A set of four Olympus M.Zuiko series prime lenses. These lightweight M4/3 lenses are particularly recommended for aerial cinematography using our Zenmuse X5S & DJI Inspire 2 kits.
The set includes 12mm, 17mm, 25mm & 45mm lenses, though each lens can also be hired individually.
Designed to be compact and lightweight, these lenses are great for DSLR shooter who demand optical excellence.
Visually matched with our range of CP.2 lenses, these Nikon F-mounted prime lenses can be used on a wide range of cameras in conjunction with our selection of lens mount adaptors.
The Laowa 24mm macro probe is a PL-mounted boroscope lens featuring a waterproof front barrel and built-in LED ring light. Designed for Super 35mm sensor cameras, it also features a 85° field of view and focus & iris gear rings for remote lens control.
A highly useful lens for when you need to get closer to the subject and create a unique ‘bug-eye’ perspective otherwise unobtainable with regular cinematography lenses.
Matching the quality of the wide CP.2 lenses and featuring an impressive close focus of 2’6″, the Zeiss CP.2 100mm lens is a great addition to your arsenal when shooting on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot.
A wide-angle MFT format lens recommended for aerial filming when using the DJI Zenmuse gimbal and Inspire 2 drone. The lens is also compatible with other Micro Four Thirds sensor cameras.
The lens is supplied with a DJI balancing ring for correct configuration when using it with the Zenmuse gimbal. It has a 46mm filter thread and is compatible with Formatt-Hitech Firecrest screw-in ND filters.
This 12mm Olympus M4/3 lens has an equivalent focal length of 24mm when used on a 35mm sensor camera.