- No items in your kit list
Filter by price
Cooke 2:1 Anamorphic/i 5-Way Prime Lens Set
£850.00Marrying the famous “Cooke Look” with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand.
Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular s4/i set and the versatile Mini s4/i “Panchros”. Built to the same high specifications, these solid PL-mounted lenses feature smooth iris and focus mechanisms allowing them to be used with a variety of wireless and mechanical follow focuses, such as our Preston FI+Z & ARRI WCU-4 kits and the work-horse ARRI FF4s with, ease and confidence.
Whilst these lenses stand up brilliantly when used alongside our Alexa XT Plus 4:3 production kits, they are also lightweight and compact enough to be used with the RED Dragon & ARRI Alexa Mini kits we send out with traditional handheld rigs and MoVi PRO kits.
We also stock the 135mm Cooke Anamorphic lens separately.
Cooke s5/i 7-way Prime Lens Set
£850.00This set of seven fast prime lenses feature the classic Cooke optical look and build quality.
The latest series of the Cooke lenses features their patented “/i” technology for recording lens data for every frame, streamlining the post-production process and saving both time and money.
The s5/i series of Cooke optics are fully colour matched and interchangeable with both the s4/i and Mini s4/i “Panchro” lens models.
Cooke s5/i 5-way Prime Lens Set
£650.00This set of five fast prime lenses feature the classic Cooke optical look and build quality.
The latest series of the Cooke lenses features their patented “/i” technology for recording lens data for every frame, streamlining the post-production process and saving both time and money.
The s5/i series of Cooke optics are fully colour matched and interchangeable with both the s4/i and Mini s4/i “Panchro” lens models. We also stock 40mm & 100mm focal lengths.
UltraScope Elite Anamorphic Lens Set
£550.00UltraScope Elite anamorphic lenses have a unique look that we think places them somewhere between Kowa and LOMO anamorphics. So expect lots of flare, distinctive bokeh and pleasing skin tones. All lenses (with the exception of the 180mm focal length) share a common T2.2 maximum aperture, making them very fast for anamorphic lenses.
These lenses were manufactured in very small quantities (this is the only set we know of in the UK), so this could be great lens choice when you need to create a very distinctive visual aesthetic and counter the austere nature of digital camera sensors.
Our UltraScope Elite set includes 40mm, 50mm, 75mm, 100mm and 180mm focal lengths. All lenses have a 2x squeeze factor and front anamorphic elements.
Cooke Panchro/i Classic 7-Way Prime Lens Set
£500.00Cooke introduced the new Panchro/i Classic series as a result of renewed interest in the vintage Cooke Speed Panchro lenses that were originally manufactured between the 1920s and 1960s.
The new Panchro/i Classic is true to the optical character of the original Speed Panchro, recreating the same look and feel of the original with the advantage of modern glass, mechanical design and lens mounts for today’s cinematography cameras. The Panchro Classic lenses also feature the Cooke /i Technology interface for frame by frame metadata capture.
Cooke Panchro/i Classics are a particularly interesting lens choice for digital sensor cameras such as the Sony VENICE and ARRI Alexa Mini which can often benefit from a softer/more gentle visual style.
Our set of Cooke Panchro/i Classic lens set includes the 18, 25, 32, 40, 50, 75 & 100mm focal lengths. Please note that 152mm focal length Panchro Classic is due to arrive in August this year and will complete the set (with 8 lenses in total).
Zeiss Supreme Prime 5-Way Lens Set
£500.00A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors.
With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and Ultra Primes.
The Supreme Primes are particularly recommended for large format cameras such as the Sony VENICE and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the Sony FS7 MKII and the Canon C300 MKII.
In addition to the 5-way set, we also offer individual Zeiss Supremes in 65mm and 100mm focal lengths. Other focal lengths will be available soon – please speak to our hire desk.
KOWA Anamorphic Lens Set
£500.00These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan.
The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
Cooke S4i 6-way Prime Lens Set
£500.00Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range.
Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number.
All lenses in the set are fitted with Imperial focus scales. We also stock several other individual lenses in the S4/i range including the 65mm, 180mm and the 14mm.
ARRI/Zeiss Ultra Prime 7-Way Lens Set
£450.00Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range.
These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes
Schneider/P+S Technik Cine Xenon Rehoused Lens Set
£350.00Dating from the 1960s, this seven-way set of characterful, vintage lenses have been professionally rehoused by P+S Technik and cover Super 35mm format.
The vintage look of the glass is perfectly complemented by the robust PL housing, complete with 0,8 pitch gears for modern wireless and manual lens control units, allowing precision control when using these distinctive lenses.
Zeiss Super Speed MKIII T1.3 Lens Set
£350.00Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming.
These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.
ARRI/Zeiss Ultra Prime 5-Way Lens Set
£350.00Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range.
These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes
We offer a 7-way Ultra Prime lens set as well, including 100mm & 135mm focal lengths.
LOMO 2:1 Round-Front Anamorphic Lens Set
£300.00A set of vintage, round-front LOMO 2:1 anamorphic lenses with a spherical lens assembly specially designed to reduce lens breathing. These Soviet-era lenses produce images popular with DoPs looking for characterful colour representation and a more organic feel.
These lenses are perfect for use with our RED Epic Dragon and Alexa XT Plus 4:3 packages and are fully supported by a range of matte boxes and follow focus units.
Cooke Mini-S4i Prime Lens Set
£300.00Compact, lightweight set of Cooke lenses great for getting the “Cooke look” on tighter budgets.
Only one stop slower than standard S4/i lenses, this Cooke set offers top-quality pictures packaged in a gimbal-friendly housing. Colour-matched to all other modern Cooke lenses, these are particularly useful for stunts sequences where insurance prices spike.
All Mini-S4i lenses feature the electronic /i technology which enables film and digital cameras to automatically record key lens and camera data for every film frame, which can then be provided digitally to post-production teams. The technology streamlines both production and post, saving significant time and costs and eliminating guesswork, while enabling greater creative freedom.
Cooke 135mm Anamorphic /i T2.3 Lens
£280.00Punching in tighter than the 100mm included with our standard five-way set, the 135mm Cooke anamorphic is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2.3 maximum aperture which is found in almost every lens in the Anamorphic series. The 135mm Cooke Anamorphic, along with the Cooke Anamorphic Set, is colour balanced to match with the Cooke S5/i, S4/I and Mini S4/I “Panchros” lenses.
Atlas Orion Anamorphic Lens Set
£260.00The Atlas Orion 2x anamorphic lenses were developed as a modern, lightweight anamorphic lens set whilst retaining the classic characteristics of shooting on non-spherical glass. Therefore, count on them for front-element anamorphic flare, distinctive oval bokeh and disproportionate breathing.
And, as well as being pleasing on the eye, you’ll find that the Atlas Orion anamorphic lenses are extremely agreeable on the production budget.
Compatible with a range of cameras, including the ARRI Alexa Mini and Sony Venice. Get in touch if you would like to try these lenses out.
The set is currently only available in PL mount configuration but we expect to have other lens mount options available for hire soon. The Atlas Orion Anamorphic ‘B set’ comprising of 32mm, 50mm and 80mm focal lengths is also joining our rental inventory later on this year.
Zeiss Compact Prime CP.2 7-Way Lens Set
£260.00With great colour rendition and contrast, the Zeiss CP.2 lens set is perfect for achieving great pictures on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot and the availability of the supplementary 100mm CP.2 T2.1 lens.
Century S2000 Tilt-Focus Lens Set
£240.00A three way set of tilt-focus lenses designed for selective focus control and creative depth of field effects. Each lens features 8 degrees of tilt in any direction and 360 degrees of rotation. The set includes 24mm, 45mm & 90mm focal lengths.
Standard 0.8 lens gears enable focus & iris adjustments to be made in-shot. The Century Tilt Lens set are PL mounted and cover the Super 35mm (S35) format.
Sigma FF Cine 5-Way Lens Set
£220.00Also known as Sigma High Speeds, this is a 5-way set of 35mm Full Frame lenses sharing a T1.5 maximum aperture and fitted with PL mounts.
Whilst having Full Frame sensor coverage, the Sigma Cine lenses are also suitable for Super35 format cinematography and are particularly suited for filming where weight is an important factor, such as gimbal and steadicam use.
Other features of these lenses include a 9 blade iris design and standard 95mm lens fronts across the set.
In addition to the 5-way set, we also offer the Sigma 14mm T2 FF and Sigma 135mm T2 FF lenses which offer a wider/longer option respectively, than the standard set.
ARRI/Zeiss 100mm Master Macro T2 Lens
£200.00Featuring a a 1:1 magnification ratio and a maximum aperture of T2, the ARRI Master Macro 100 is the ultimate lens for table top cinematography, product shots and close-up inserts.
ARRI & Zeiss have jointly produced this macro lens, combining their knowledge to deliver exceptional contrast, sharpness and colour clarity at extreme close-focus, making the 100mm Master Macro the first choice for cinematographers in its field.
