Cooke 65mm S4i T2 Lens
Sitting between the 50mm & 75mm S4i primes supplied in our standard set, the Cooke S4i 65mm is a useful choice when an expanded range of focal length is required.
The Cooke S4/i 65mm features the distinctive 'Cooke Look' optical characteristic and shares the T2 maximum aperture found in almost all S4i lenses.
Available to hire
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SmallHD 703 UltraBright Monitor£70.00
The SmallHD 703 UltraBright is recommended when precise image composition, colour and exposure assessment is essential.
Whilst particularly well suited for on-camera use it's rugged design and functionality also makes the 703 a good choice as a handheld/wireless directors monitor, especially considering how well it performs in high light.
Features of the SmallHD 703 UltraBright monitor include a 2200 nit brightness display, SDI & HDMI inputs, dual A/B source monitoring and 3D LUT support. Monitor functions are also quickly accessible via the intuitive joystick control.
Cooke 12mm S4i T2 Lens£160.00
With a focal length of 12mm, this is the widest lens in the Cooke S4i lens series. Like all Cooke S4i primes, the 12mm is colour balanced to be compatible with Cooke 5/i, miniS4/i and Anamorphic/i lenses. It also maintains the T2 maximum aperture which is standard across the S4i lens range.
The Cooke 12mm S4i has a 156mm front diameter and is supplied with a two-stage 6×6 clamp-on mattebox.
Cooke S4i 6-way Prime Lens Set£500.00
Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range.
Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number.
ARRI Alexa Mini£400.00
ARRI’s Alexa Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our Alexa Mini kits out with 4:3 anamorphic licenses, giving this bow yet another string.
The Alexa Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board.
We’ve geared our ARRI Alexa Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production.
We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.
Angenieux Optimo 24-290 Zoom Lens T2.8£450.00
The Optimo 24-290mm zoom lens is a high performance 12x zoom lens covering a wide focal length from wide angle at 24mm to telephoto at 290mm.
With optics comparable to some of the best prime PL lenses on the market, the Angenieux 24-290mm zoom is perfect for drama, commercial and feature productions.
Fujinon Cabrio 19-90mm T2.9 Zoom Lens£320.00
The Cabrio 19-90mm is a lightweight PL-mounted zoom lens with a focal range useful for most documentary-style productions.
The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.
Canon 50mm L Series EF Prime f/1.2 Lens£40.00
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.