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UltraScope Anamorphic Lens Set
£850.00UltraScope anamorphic lenses are of 1970s vintage and have a unique look that we think places them somewhere between Kowa and LOMO anamorphics. So expect lots of flare, distinctive bokeh and pleasing skin tones. All lenses (with the exception of the 180mm focal length) share a common T2.2 maximum aperture, making them very fast for anamorphic lenses.
These lenses were manufactured in very small quantities (this is the only set we know of in the UK), so this could be great lens choice when you need to create a very distinctive visual aesthetic and counter the austere nature of digital camera sensors.
Our UltraScope set includes 40mm, 50mm, 75mm, 100mm and 180mm focal lengths. All lenses have a 2x squeeze factor and front anamorphic elements.
Cooke 2:1 Anamorphic/i 5-Way Prime Lens Set
£850.00Marrying the famous “Cooke Look” with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand.
Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular s4/i set and the versatile Mini s4/i “Panchros”. Built to the same high specifications, these solid PL-mounted lenses feature smooth iris and focus mechanisms allowing them to be used with a variety of wireless and mechanical follow focuses, such as our Preston FI+Z & ARRI WCU-4 kits and the work-horse ARRI FF4s with, ease and confidence.
Whilst these lenses stand up brilliantly when used alongside our Alexa XT Plus 4:3 production kits, they are also lightweight and compact enough to be used with the RED Dragon & ARRI Alexa Mini kits we send out with traditional handheld rigs and MoVi PRO kits.
We also stock the 135mm Cooke Anamorphic lens separately.
ARRI Alexa XT Plus ARRIRAW 16:9/4:3
£850.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
In addition to recording up to 120fps at 2k, our ARRIRAW package comes complete with 512GB Codex XR Capture drives to record full uncompressed ARRIRAW at 4k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around.
The ALEXA Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
Cooke s5/i 7-way Prime Lens Set
£850.00This set of seven fast prime lenses feature the classic Cooke optical look and build quality.
The latest series of the Cooke lenses features their patented “/i” technology for recording lens data for every frame, streamlining the post-production process and saving both time and money.
The s5/i series of Cooke optics are fully colour matched and interchangeable with both the s4/i and Mini s4/i “Panchro” lens models.
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ARRI Alexa XT Plus 16:9/4:3
£650.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
Offering a range of efficient & versatile workflows, the ARRI Alexa is capable of up to 120fps recording in 2k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around. We also carry a Codex XR Capture Drive kit to expand the data range of this camera and bring uncompressed ARRIRAW to your production.
The ALEXA XT Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
Cooke s5/i 5-way Prime Lens Set
£650.00This set of five fast prime lenses feature the classic Cooke optical look and build quality.
The latest series of the Cooke lenses features their patented “/i” technology for recording lens data for every frame, streamlining the post-production process and saving both time and money.
The s5/i series of Cooke optics are fully colour matched and interchangeable with both the s4/i and Mini s4/i “Panchro” lens models. We also stock 40mm & 100mm focal lengths.
KOWA Anamorphic Lens Set
£500.00These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan.
The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
Cooke S4i 6-way Prime Lens Set
£500.00Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range.
Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number.
All lenses in the set are fitted with Imperial focus scales. We also stock several other individual lenses in the S4/i range including the 65mm, 180mm and the 14mm.
Angenieux Optimo 24-290 Zoom Lens T2.8
£450.00The Optimo 24-290mm zoom lens is a high performance 12x zoom lens covering a wide focal length from wide angle at 24mm to telephoto at 290mm.
With optics comparable to some of the best prime PL lenses on the market, the Angenieux 24-290mm zoom is perfect for drama, commercial and feature productions.
ARRI/Zeiss Ultra Prime 7-Way Lens Set
£450.00Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range.
These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes
Schneider/P+S Technik Cine Xenon Rehoused Lens Set
£350.00Dating from the 1960s, this seven-way set of characterful, vintage lenses have been professionally rehoused by P+S Technik and cover Super 35mm format.
The vintage look of the glass is perfectly complemented by the robust PL housing, complete with 0,8 pitch gears for modern wireless and manual lens control units, allowing precision control when using these distinctive lenses.
Zeiss Super Speed MKIII T1.3 Lens Set
£350.00Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming.
These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.
Angenieux Optimo 15-40 Zoom Lens T2.6
£350.00The Optimo 15-40mm is an extremely compact wide angle zoom lens that is ideal for handheld and Steadicam work.
This Angenieux zoom lens has an impressive contrast and colour reproduction akin to some of the top prime lenses available.
Angenieux Optimo 28-76 Zoom Lens T2.6
£350.00The Optimo 28-76mm is a fast, compact zoom lens ideal for handheld and Steadicam work.
This Angenieux zoom lens has an impressive contrast and colour reproduction akin to some of the top prime lenses available.
ARRI/Zeiss Ultra Prime 5-Way Lens Set
£350.00Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range.
These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes
We offer a 7-way Ultra Prime lens set as well, including 100mm & 135mm focal lengths.
Fujinon Cabrio 14-35mm T2.9 Zoom Lens
£320.00The Cabrio 14-35mm is a lightweight PL-mounted zoom lens covering a wide-angle focal range.
The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.
Fujinon Cabrio 19-90mm T2.9 Zoom Lens
£320.00The Cabrio 19-90mm is a lightweight PL-mounted zoom lens with a focal range useful for most documentary-style productions.
The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.
LOMO 2:1 Round-Front Anamorphic Lens Set
£300.00A set of vintage, round-front LOMO 2:1 anamorphic lenses with a spherical lens assembly specially designed to reduce lens breathing. These Soviet-era lenses produce images popular with DoPs looking for characterful colour representation and a more organic feel.
These lenses are perfect for use with our RED Epic Dragon and Alexa XT Plus 4:3 packages and are fully supported by a range of matte boxes and follow focus units.
Canon Cine-Servo 17-120mm T2.95 Zoom Lens
£300.00The Canon 17-120mm is a lightweight PL mounted zoom lens featuring an impressive focal-length range, detachable ENG-style servo control and 4K-ready optics.
This zoom lens draws power directly from the lens mount and is perfectly suited to the ARRI Amira and other Super 35mm format cameras.
Cooke Mini-S4i Prime Lens Set
£300.00Compact, lightweight set of Cooke lenses great for getting the “Cooke look” on tighter budgets.
Only one stop slower than standard S4/i lenses, this Cooke set offers top-quality pictures packaged in a gimbal-friendly housing. Colour-matched to all other modern Cooke lenses, these are particularly useful for stunts sequences where insurance prices spike.
All Mini-S4i lenses feature the electronic /i technology which enables film and digital cameras to automatically record key lens and camera data for every film frame, which can then be provided digitally to post-production teams. The technology streamlines both production and post, saving significant time and costs and eliminating guesswork, while enabling greater creative freedom.
