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Camera Hire
Our London-based camera hire department includes some of the latest large sensor and Super 35 digital cinematography cameras from leading manufacturers including ARRI, RED, Sony, Canon & GoPro.
Please speak to our rental team if you require any advice or assistance in choosing a camera.
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Kinefinity (1)
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ARRI (5)
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Blackmagic Design (1)
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Canon (6)
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GoPro (2)
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RED (2)
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Sony (9)
ARRI ALEXA Mini LF
£850.00The ALEXA Mini LF is the latest update in the highly acclaimed ALEXA MINI camera series. Equipped with a 4.5K size sensor and a native LPL mount, the Mini LF combines large format cinematography with the compact size and stunning image quality of the Mini.
Available soon from Shoot Blue – please contact us to discuss your requirements and rental availability for the Mini LF.
Sony VENICE Full-Frame 6K Camera AXS-R7 Package
£850.00With a Full-Frame, 36 x 24mm sensor, the Sony Venice can capture cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is capable of up to 60fps in 4K. This camera package includes the Sony AXS-R7 recorder which enables RAW recording for when a higher specification workflow is required.
Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude.
Our Sony Venice rental kits include Full Frame and Anamorphic licensing as standard allowing your production to take full advantage of this camera. If you just require the camera without the AXS-R7 recorder, we also hire a standard Sony Venice package.
ARRI Alexa XT Plus ARRIRAW 16:9/4:3
£850.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
In addition to recording up to 120fps at 2k, our ARRIRAW package comes complete with 512GB Codex XR Capture drives to record full uncompressed ARRIRAW at 4k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around.
The ALEXA Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
Sony VENICE Full-Frame 6K Camera
£650.00Featuring a Full-Frame, 36 x 24mm sensor, the Sony VENICE can capture stunning, cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is currently capable of up to 60fps in 4K (planned firmware updates will increase the FPS of the VENICE).
Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude.
Our Sony VENICE rental kits include Full Frame and Anamorphic licenses as standard allowing your production to take full advantage of this camera. We also offer a VENICE RAW hire package which includes the AXS-R7 external RAW recorder and AXS media cards.
The VENICE is compatible with most Super35 format lenses as well as Full-Frame glass such as the ZEISS Supreme Primes.
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ARRI Alexa XT Plus 16:9/4:3
£650.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
Offering a range of efficient & versatile workflows, the ARRI Alexa is capable of up to 120fps recording in 2k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around. We also carry a Codex XR Capture Drive kit to expand the data range of this camera and bring uncompressed ARRIRAW to your production.
The ALEXA XT Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
Scubacam
£500.00Our custom-designed Scubacam underwater housing has been specially adapted to work with high-end cameras such as the Arri Alexa and RED Dragon, along with professional glass such as Angenieux Optimo zooms or Zeiss Ultra Primes.
We have the Scubacam serviced and certificated by the manufacturer after every hire, ensuring the unit is fully operational and the camera used is full protected underwater.
ARRI Alexa Mini
£450.00ARRI’s Alexa Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our Alexa Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string.
The Alexa Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board.
We’ve geared our ARRI Alexa Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production.
We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.
RED Epic-W Helium 8K
£450.00Make the most of your next production by using the RED Epic-W’s 8K Helium sensor for bigger, better pictures.
The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our Epic-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio.
In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras.
Get in touch to book a test in-house with our technical and post-production team.
GoPro OMNI 360°
£380.00The GoPro OMNI is a 360° camera rig for spherical Virtual Reality (VR) production. It utilises 6 x GoPro HERO4 Black Edition cameras fitted into a precision-engineered rig which distributes power, sync & control functionality to each camera.
The OMNI is compact, measuring in as a 120mm cube, and fitted with two 1/4-20 tapped threads which allow attachment to a range of mounts such as a tripod, boom pole, car rig or drone.
As the OMNI does not currently support live 360° monitoring, we include a LG 360 camera as part of our rental package which is useful for live monitoring & playback of rehearsals via the iOS / Android 360 CAM App.
Get in contact with us to discuss workflow & post-production options for the GoPro OMNI.
RED Epic Dragon
£350.00RED’s original compact 6K digital cinema camera – the RED Epic Dragon.
Boasting an upgraded & enhanced sensor, the Dragon records in RAW format up to 6K (19 megapixel) resolution, has an impressive 16.5 stops of dynamic range and can achieve 100fps at 6K or up to 300fps at 2K.
We stock a wide array of accessories and lens mounts for the RED Dragon, allowing you to choose from an extensive list of lenses and grip to build a bespoke Epic Dragon shooting package.
Canon EOS C700
£300.00This highly capable camera is a popular choice for dramas, independent films and documentaries. Designed with professionals in mind, it incorporates ‘must have’ features that users have been asking for for many years.
Advanced features include built-in 10-stop ND filtration, accurate autofocus, versatile and configurable lens support options, and superb 4k performance and colour. The Canon C700 is also capable or recording up to 240fps.
ARRI Amira
£300.00With the same Super 35mm sensor as the ARRI Alexa and a documentary style body, the ARRI Amira couples self-shooting flexibility with some of the best images on the market.
All of our Amira units come with Arri's Premium Licence as standard, giving you 4K UHD recording at ProRes 4444 and up to 200fps at 2K.
The ergonomic, solid design of the Amira allows you to shoot in even the most demanding of conditions whilst the post production team enjoys the ease of the camera's ProRes workflow.
Sony PMW-F55
£250.00The Sony F55 is a lightweight, ergonomic 2k/4k digital camera perfect for self-shooting/run-and-gun operating with the capacity to shoot up to 50fps at 4K and 150fps at 2K.
Sony's latest firmware update allows the user to control the project settings and other useful features without having to access the scroll-down menu, making the camera even easier to use and quicker to set up.
The PMW-F55 comes with a PL mount as standard, allowing you to use a wide of array of professional lenses and accessories. We also stock a Nikon mount for shooting with Nikon stills and zoom lenses. This flexibility makes the Sony F55 as perfect for high-end documentaries and promos as it does for jobs on a tighter budget.
Kinefinity MAVO LF 6K Cinema Camera
£240.00The Kinifity Mavo LF is a large format cinematography camera capable of up to 6K resolution and frame rates of 100fps at 4K (75fps in 6K). It features a range of new technological capabilities, including an integrated wireless video transmitter, electronic ND filtration and a dual native ISO function.
As a relatively compact camera, the Mavo LF is also particularly suited to gimbal and handheld shooting setups.
Speak to our bookings team if you would like to arrange a demo.
Canon C300 MKII (PL)
£190.00Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design.
An upgraded, more durable chassis makes this camera even more formidable when either on set or on location and the new Canon-made PL mount allows the use of the very highest quality cinema glass available. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects.
In the vein of cameras now being able to shoot in nearly pitch dark, the C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.
Canon C300 MKII (EF)
£190.00Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design.
An upgraded, more durable chassis makes this camera even more formidable when shooting on the fly, whilst Canon’s autofocus technology and integrated lens control keep your pictures smooth and stable. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects.
In the vein of cameras now being able to shoot in nearly pitch dark, the Canon C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.
Sony PXW-FS7 II
£160.00The Sony FS7 II is an update to the popular PXW-FS7 which extends the capabilities and feature set of the original camera. Enhancements to the camera design include a variable ND filter, a lever locking ‘E’ lens mount, an improved viewfinder and the addition of Rec-2020 colour space (ITU BT.2020).
The FS7 II retains all the functionality of the original Sony FS7, including 4K & HD resolutions, up to 180fps capture, the same Super 35mm format sensor and options (via E-mount adapters) to use a wide range of lenses, including PL, Leica & Canon EF. This is a highly versatile yet affordable camera which lends itself to a range of applications including digital cinematography, multi-camera and documentary shooting.
Like the Original FS7, the FS7 II is compatible with the optional XDCA-FS7 extension unit. This allows the use of V-Lock batteries as well as Apple ProRes recording and time Code capabilities.
Our Sony PXW-FS7 II hire kits are presented at a very high, industry-leading specification, with a comprehensive range of accessories included as standard.
Sony PXW-FS7
£140.00With an ergonomic design and a Super 35 size CMOS sensor, the Sony FS7 is a versatile camera capable of delivering great results in almost any environment.
Featuring a native Sony E-Mount which enables a range of different lens adapters to be used, including Canon EF & PL, this 4K camera has a wide range of top-quality glass to choose from.
The Sony FS7 can be provided with industry-standard cinematography accessories for studio and location corporates, commercials and promos or configured into a self-shooting documentary-style camera – this camera is a true all-rounder. When combined with the optional XDCA-FS7 extension unit, the FS7 is capable of Apple ProRes recording and can be powered via industry standard V-lock batteries.
We also offer the upgraded PXW-FS7 II version of this camera.
Sony NEX-FS700
£120.00The Sony FS700 is a compact camcorder featuring a Super 35mm sensor & enhanced slow motion capture capabilities.
Capable of achieving frame rates up to 960fps, the FS700 is perfect for productions where extremely high-speed capturing is a necessity. With a native Sony E-mount a variety of lenses, such as Canon EF & PL mounted glass, are available for use in conjunction with our stock of lens adapters.
Sony PMW-300
£120.00The Sony PMW-300 replaces the popular EX3 camera as the latest and greatest all-rounder for broadcast, corporate & event filming.
A compact XDCAM broadcast camcorder with support for 50Mbs HD recording & interchangeable lens capability, the lightweight, ergonomic design makes the Sony PMW-300 an excellent workhorse HD camera. Other features include cache recording, built-in ND filters & slow motion recording up to 60fps, giving the PMW-300 additional shooting flexibility.
