- No items in your kit list
Filter by price
Cooke 135mm Anamorphic /i T2.3 Lens
£280.00Punching in tighter than the 100mm included with our standard five-way set, the 135mm Cooke anamorphic is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2.3 maximum aperture which is found in almost every lens in the Anamorphic series. The 135mm Cooke Anamorphic, along with the Cooke Anamorphic Set, is colour balanced to match with the Cooke S5/i, S4/I and Mini S4/I “Panchros” lenses.
Atlas Orion Anamorphic Lens Set
£260.00The Atlas Orion 2x anamorphic lenses were developed as a modern, lightweight anamorphic lens set whilst retaining the classic characteristics of shooting on non-spherical glass. Therefore, count on them for front-element anamorphic flare, distinctive oval bokeh and disproportionate breathing.
And, as well as being pleasing on the eye, you’ll find that the Atlas Orion anamorphic lenses are extremely agreeable on the production budget.
Compatible with a range of cameras, including the ARRI Alexa Mini and Sony Venice. Get in touch if you would like to try these lenses out.
The set is currently only available in PL mount configuration but we expect to have other lens mount options available for hire soon. The Atlas Orion Anamorphic ‘B set’ comprising of 32mm, 50mm and 80mm focal lengths is also joining our rental inventory later on this year.
Zeiss Compact Prime CP.2 7-Way Lens Set
£260.00With great colour rendition and contrast, the Zeiss CP.2 lens set is perfect for achieving great pictures on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot and the availability of the supplementary 100mm CP.2 T2.1 lens.
Century S2000 Tilt-Focus Lens Set
£240.00A three way set of tilt-focus lenses designed for selective focus control and creative depth of field effects. Each lens features 8 degrees of tilt in any direction and 360 degrees of rotation. The set includes 24mm, 45mm & 90mm focal lengths.
Standard 0.8 lens gears enable focus & iris adjustments to be made in-shot. The Century Tilt Lens set are PL mounted and cover the Super 35mm (S35) format.
Sigma FF Cine 5-Way Lens Set
£220.00Also known as Sigma High Speeds, this is a 5-way set of 35mm Full Frame lenses sharing a T1.5 maximum aperture and fitted with PL mounts.
Whilst having Full Frame sensor coverage, the Sigma Cine lenses are also suitable for Super35 format cinematography and are particularly suited for filming where weight is an important factor, such as gimbal and steadicam use.
Other features of these lenses include a 9 blade iris design and standard 95mm lens fronts across the set.
In addition to the 5-way set, we also offer the Sigma 14mm T2 FF and Sigma 135mm T2 FF lenses which offer a wider/longer option respectively, than the standard set.
ARRI/Zeiss 100mm Master Macro T2 Lens
£200.00Featuring a a 1:1 magnification ratio and a maximum aperture of T2, the ARRI Master Macro 100 is the ultimate lens for table top cinematography, product shots and close-up inserts.
ARRI & Zeiss have jointly produced this macro lens, combining their knowledge to deliver exceptional contrast, sharpness and colour clarity at extreme close-focus, making the 100mm Master Macro the first choice for cinematographers in its field.
Zeiss Compact Prime CP.2 5-Way Lens Set
£200.00With great colour rendition and contrast, the Zeiss CP.2 lens set is perfect for achieving great pictures on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot and the availability of the supplementary 21mm, 28mm & 100mm CP.2 lenses.
Cooke 135mm S4i T2 Lens
£160.00Punching in tighter than the 100mm included with our standard six-way set, the 135mm Cooke S4i is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2 maximum aperture which is found in almost every lens in the S4i series. The 135mm S4i is colour balanced to match with Cooke 5/i, S4/i, Anamorphic/i and Mini S4/i lenses.
Cooke 14mm S4i T2 Lens
£160.00The 14mm is one of the widest focal lengths in the Cooke S4i lens line-up and is a useful addition to the standard set when the 18mm is not quite wide enough.
It features the standard 110mm diameter front found in most other S4i lenses and is colour balanced to match with with Cooke 5/i, miniS4/i and Anamorphic/i lenses.
Cooke 180mm S4i T2 Lens
£160.00As one of the longest focal lengths in the Cooke S4i lens range, the 180mm is recommended for achieving close-up & portrait/telephoto shots from distance.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2 maximum aperture which is found in almost every lens in the S4i series. The 180mm S4i is also colour balanced to match with Cooke 5/i, S4/i, Anamorphic/i and Mini S4/i lenses.
Cooke 12mm S4i T2 Lens
£160.00With a focal length of 12mm, this is the widest lens in the Cooke S4i lens series. Like all Cooke S4i primes, the 12mm is colour balanced to be compatible with Cooke 5/i, miniS4/i and Anamorphic/i lenses. It also maintains the T2 maximum aperture which is standard across the S4i lens range.
The Cooke 12mm S4i has a 156mm front diameter and is supplied with a two-stage 6×6 clamp-on mattebox.
Astro Berlin Pan Tachar 40mm T2 Lens
£150.00Originally manufactured by the German optical house Astro-Berlin in the 1950’s, this rehoused lens offers a distinctive and very unique aesthetic, particularly when paired with modern digital sensor cameras. Featuring a maximum aperture of T2 and weighing in at less than 1kg this lens can be used in a variety of set ups.
Get in touch and book a test with this one of a kind lens.
Cooke 65mm S4i T2 Lens
£140.00Sitting between the 50mm & 75mm S4i primes supplied in our standard set, the Cooke S4i 65mm is a useful choice when an expanded range of focal length is required.
The Cooke S4/i 65mm features the distinctive 'Cooke Look' optical characteristic and shares the T2 maximum aperture found in almost all S4i lenses.
Cooke 40mm S4i T2 Lens
£140.00Part of the Cooke S4i lens range, the 40mm is a useful 'in between' lens, sitting amidst the popular S4i 32mm and 50mm focal lengths.
The 40mm features the distinctive 'Cooke Look' optical characteristic and also retains the T2 maximum aperture which is found in almost every lens in the S4i series.
Leica R Series Cine Lens Set
£125.00This set of six Leica-R Summicron & Elmarit series lenses make a great budget alternative to using PL prime lenses on cameras such as the RED Epic Dragon, Canon C300MkII and Sony FS7. We’ve modified these high-quality Leica-R series lenses for cinematography use, giving you the warm Leica look with a usability you'd expect from the best PL-mounted glass.
All lenses are fitted with standard 80mm Duclos fronts to allow use with a matte box and have permanent/fixed alloy 0.8 pitch follow focus gear rings made by Ronford-Baker. These lenses also have de-clicked aperture rings for precise exposure control.
Canon HJ22 7.6-168mm Lens f/1.8
£120.00Boasting a 22x Zoom Range and an internal doubler, the Canon HJ22 is a workhorse B4 2/3″ lens. A great choice for all forms of HD broadcast applications, from live sport to news and OB/event coverage.
Weighing in at less than 2Kg, this lens is ideal for locked off shots as well as run and gun situations making it incredibly versatile. The 1.8 f/stop on this lens also allows for low light situations.
Zeiss Supreme Prime T1.5 100mm Lens
£120.00With the Supreme Primes, Zeiss has perfected a more gentle, slightly softer imaging style which is more relevant for modern digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and Ultra Primes.
We offer the 100mm Supreme Prime both as an individual lens or it can be hired alongside our 5-way Supreme set to offer a longer focal length option.
Compatible with full-frame cameras such as the Sony VENICE and the RED EPIC-W. It is also equally at home with Super35 format cameras such as the ARRI Alexa Mini.
Zeiss Supreme Prime T1.5 65mm Lens
£120.00Part of the recently developed Zeiss Supreme Prime series, the 65mm Supreme is a full-frame cinematography lens which also covers Super35 sized camera sensors. With a T1.5 maximum aperture, it is also extremely fast lens, making it suited to low-light shooting.
Compatible with a range of cameras including the Sony VENICE (FF), ARRI Alexa Mini (S35) and Sony FS7 MKII (S35).
In addition to the 65mm prime which is available individually, we also offer Zeiss Supremes as a 5-way lens set.
Cinematography Electronics Cine Tape Measure
£120.00The popular Cine Tape is an excellent tool for aiding a focus puller to measure distance minutely, freeing them up to concentrate on other aspects of the technical process.
This compact and lightweight unit receives a constant stream of data, relaying exact measurements to the First AC and displaying them clearly, streamlining the film-making process and avoiding the need for retakes.
LOMO Foton 37-140mm f/4.4 Zoom Lens
£120.00A compact, Soviet-era zoom lens with an impressive 37-140mm focal length range.
This vintage LOMO lens is fitted with a PL mount for use on all digital cinematography cameras, though is lightweight enough to be used with an adapter on cameras such as the Sony A7sII
