Regarded as one of the finest 100mm macro lenses ever produced, the Leica Macro-Elmarit-R is an excellent choice for extreme close-up cinematography and photography.
Fully colour-matched with our other Leica-R Series of lenses, this is a great additional to the R-Series Cine set, especially for flattering beauty and fashion projects.
Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the Sony FS7 MKII and Red Epic-W.
Machined titanium lens mount for using Canon EF lenses on the RED Epic Dragon, Weapon & Epic-W cameras.
This mount replaces the PL mount on the camera and powers directly from the RED body, giving full electronic iris control and reducing lens movement to zero.
Built by ARRI to allow Canon EF-mounted lenses to be used and controlled directly from an Amira or Alexa Mini camera body, this is a popular choice for operators keen to minimise weight when shooting handheld.
This mount replaces the PL mount on the camera via four secure mounting screws, reducing lens movement to zero.
With a fast, constant aperture, this lens is great for run-and-gun shooting when switching between primes isn't an option.
The Canon 16-35mm is colour matched to the 24-70mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
The Canon USM II is a long zoom lens covering focal lengths of 70-200mm and benefiting from a fully electronic, built-in image stabiliser.
With a fast, constant aperture, this lens is great for run-and-gun shooting. The Canon 70-200mm is colour matched to the 16-35mm & 24-70mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
Set of hard-edge Tiffen filters useful for reducing light from a bright sky over a darker landscape.
These filters have a more defined line between the clear and ND parts of the glass.
This set is also available in 4×4″ & PV/5.65×4″ sizes.
The Gecko-Cam RotaPola is an ARRI LMB-sized filter frame fitted with a 120mm circular polarising filter.
The Gecko circular polariser is specially designed for use with clip-on ARRI matte boxes lacking a rotatable filter stage, giving you greater control over the light falling on the lens.
The Canon USM II is a mid-range zoom lens covering focal lengths of 24-70mm and is the workhorse of the popular L Series zoom set.
With a fast, constant aperture, this lens is great for run-and-gun shooting. The Canon 24-70mm is colour matched to the 16-35mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
A wide-angle MFT format lens recommended for aerial filming when using the DJI Zenmuse gimbal and Inspire 2 drone. The lens is also compatible with other Micro Four Thirds sensor cameras.
The lens is supplied with a DJI balancing ring for correct configuration when using it with the Zenmuse gimbal. It has a 46mm filter thread and is compatible with Formatt-Hitech Firecrest screw-in ND filters.
This 12mm Olympus M4/3 lens has an equivalent focal length of 24mm when used on a 35mm sensor camera.
Set of 6 x 46mm circular ND filters compatible with a range of Micro Four Thirds lenses often used with our DJI Zenmuse X5S gimbal.
Manufactured by Formatt Hitech in the UK, Firecrest ND filters are amongst the most colour-accurate neutral density filters for aerial cinematography applications.
Black Pro-Mists are useful when shooting exteriors for softening highlights and reducing contrast, though are also great on fashion and portrait projects for reducing the “digital” appearance of blemishes and wrinkles.
This filter set is also available in 4×4″ & PV/5.65×4″ sizes.
This Vocas PL-E Mount allows the use of high-end PL lenses on Sony E-mounted cameras such as the FS7 and the A7sII.
The mount is supplied with a 15mm support for added stability and security. We also stock the bars for the support.