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UltraScope Anamorphic Lens Set
£850.00UltraScope anamorphic lenses are of 1970s vintage and have a unique look that we think places them somewhere between Kowa and LOMO anamorphics. So expect lots of flare, distinctive bokeh and pleasing skin tones. All lenses (with the exception of the 180mm focal length) share a common T2.2 maximum aperture, making them very fast for anamorphic lenses.
These lenses were manufactured in very small quantities (this is the only set we know of in the UK), so this could be great lens choice when you need to create a very distinctive visual aesthetic and counter the austere nature of digital camera sensors.
Our UltraScope set includes 40mm, 50mm, 75mm, 100mm and 180mm focal lengths. All lenses have a 2x squeeze factor and front anamorphic elements.
Cooke 2:1 Anamorphic/i 5-Way Prime Lens Set
£850.00Marrying the famous “Cooke Look” with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand.
Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular s4/i set and the versatile Mini s4/i “Panchros”. Built to the same high specifications, these solid PL-mounted lenses feature smooth iris and focus mechanisms allowing them to be used with a variety of wireless and mechanical follow focuses, such as our Preston FI+Z & ARRI WCU-4 kits and the work-horse ARRI FF4s with, ease and confidence.
Whilst these lenses stand up brilliantly when used alongside our Alexa XT Plus 4:3 production kits, they are also lightweight and compact enough to be used with the RED Dragon & ARRI Alexa Mini kits we send out with traditional handheld rigs and MoVi PRO kits.
We also stock the 135mm Cooke Anamorphic lens separately.
ARRI Alexa XT Plus ARRIRAW 16:9/4:3
£850.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
In addition to recording up to 120fps at 2k, our ARRIRAW package comes complete with 512GB Codex XR Capture drives to record full uncompressed ARRIRAW at 4k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around.
The ALEXA Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
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ARRI Alexa XT Plus 16:9/4:3
£650.00Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
Offering a range of efficient & versatile workflows, the ARRI Alexa is capable of up to 120fps recording in 2k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around. We also carry a Codex XR Capture Drive kit to expand the data range of this camera and bring uncompressed ARRIRAW to your production.
The ALEXA XT Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
KOWA Anamorphic Lens Set
£500.00These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan.
The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
ARRI Alexa Mini
£450.00ARRI’s Alexa Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our Alexa Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string.
The Alexa Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board.
We’ve geared our ARRI Alexa Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production.
We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.
Cooke 135mm Anamorphic /i T2.3 Lens
£280.00Punching in tighter than the 100mm included with our standard five-way set, the 135mm Cooke anamorphic is a great addition to the DoP’s arsenal of lenses and perfect for flattering close-ups.
Featuring the distinctive ‘Cooke Look’ optical characteristic, it also retains the T2.3 maximum aperture which is found in almost every lens in the Anamorphic series. The 135mm Cooke Anamorphic, along with the Cooke Anamorphic Set, is colour balanced to match with the Cooke S5/i, S4/I and Mini S4/I “Panchros” lenses.
Atlas Orion Anamorphic Lens Set
£260.00The Atlas Orion 2x anamorphic lenses were developed as a modern, lightweight anamorphic lens set whilst retaining the classic characteristics of shooting on non-spherical glass. Therefore, count on them for front-element anamorphic flare, distinctive oval bokeh and disproportionate breathing.
And, as well as being pleasing on the eye, you’ll find that the Atlas Orion anamorphic lenses are extremely agreeable on the production budget.
Compatible with a range of cameras, including the ARRI Alexa Mini, Sony FS7 MKII and Canon C300 MKII. Get in touch if you would like to try these lenses out.
The set is currently only available in PL mount configuration but we expect to have other lens mount options available for hire soon. The Atlas Orion Anamorphic ‘B set’ comprising of 32mm, 50mm and 80mm focal lengths is also joining our rental inventory later on this year.
Optefex PV Streak Filter Set
£60.00Set of PV-sized glass 2mm streak filters in a variety of colours.
Optefex PV Clear Streak Filter
£30.00A 2mm, PV-sized clear streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
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Optefex PV Green Streak Filter
£30.00A 2mm, PV-sized green streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
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Optefex PV Blue Streak Filter
£30.00A 2mm, PV-sized blue streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
Optefex PV Pink Streak Filter
£30.00A 2mm, PV-sized pink streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
Optefex PV Orange Streak Filter
£30.00A 2mm, PV-sized orange streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
Optefex PV Violet Streak Filter
£30.00A 2mm, PV-sized violet streak filter used to create an anamorphic style flare when using spherical lenses.
Available in a variety of colours.
