Tiffen 6×6 Optical Flat
Useful for protecting the lens' front element when shooting in dusty environments or when using explosive, water or paint effects.
This filter is also available in 4×4″ & PV/5.65×4″ sizes
Available to hire
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Arri MB18 Production Matte Box£70.00
The MB18 steps in when an MB14 is too large for your production but you need sturdiness and minute filter control.
This control comes from the two sliding filter stages and the additional geared tray that allows you to perfectly aline your chosen filter as necessary.
Angenieux Optimo 24-290 Zoom Lens T2.8£450.00
The Optimo 24-290mm zoom lens is a high performance 12x zoom lens covering a wide focal length from wide angle at 24mm to telephoto at 290mm.
With optics comparable to some of the best prime PL lenses on the market, the Angenieux 24-290mm zoom is perfect for drama, commercial and feature productions.
Cooke 2:1 Anamorphic/i 5-Way Prime Lens Set£850.00
Marrying the famous “Cooke Look” with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand.
Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular s4/i set and the versatile Mini s4/i “Panchros”. Built to the same high specifications, these solid PL-mounted lenses feature smooth iris and focus mechanisms allowing them to be used with a variety of wireless and mechanical follow focuses, such as our Preston FI+Z & ARRI WCU-4 kits and the work-horse ARRI FF4s with, ease and confidence.
Whilst these lenses stand up brilliantly when used alongside our Alexa XT Plus 4:3 production kits, they are also lightweight and compact enough to be used with the RED Dragon & ARRI Alexa Mini kits we send out with traditional handheld rigs and MoVi PRO kits.
ARRI Alexa XT Plus ARRIRAW 16:9/4:3£850.00
Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date.
In addition to recording up to 120fps at 2k, our ARRIRAW package comes complete with 512GB Codex XR Capture drives to record full uncompressed ARRIRAW at 4k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around.
The ALEXA Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
Cooke s5/i 7-way Prime Lens Set£850.00
This set of seven fast prime lenses feature the classic Cooke optical look and build quality.
The latest series of the Cooke lenses features their patented “/i” technology for recording lens data for every frame, streamlining the post-production process and saving both time and money.
The s5/i series of Cooke optics are fully colour matched and interchangeable with both the s4/i and Mini s4/i “Panchro” lens models.
Canon 50mm L Series EF Prime f/1.2 Lens£40.00
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.