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Ready Rig GS + ProArm Set£100.00
The Ready Rig GS is a vertical axis stabiliser which redistributes camera and gimbal weight away from the arms, shoulders and back to the hips, providing greater comfort and minimising fatigue.
Our Ready Rig GS is fitted with ProArms which enhance the performance of the rig and increase the payload capacity to 18kg. We particularly recommend the Ready Rig GS for use with gimbals such as the DJI Ronin 2 and Freefly MoVI Pro.
Convergent Design Odyssey 7Q Monitor/Recorder£100.00
Combining excellent ProRes 422 recording technology with the latest in monitoring technology, Convergent Design’s Odyssey 7Q is one of the leading external recorders available.
The lightweight materials mean this unit can be mounted on any camera rig or sit in Wooden Camera’s independent monitor cage, allowing your director to record and play back as necessary without having to interrupt filming or camera rigging.
Featuring programmable LUTs, focus assist marks and other standard digital cinematography tools alongside the latest recording formats, the Odyssey 7Q is a powerful tool in your arsenal.
Atomos Sumo 19″ Monitor/Recorder£90.00
Pairing recording functions with a high-brightness 19″ monitor screen, the Atomos Sumo 19″ Monitor/Recorder allows your production monitor to do immediate playback and record dailies. Provided with a stand bracket and mains & battery cabling as standard, our Sumo kits will work wherever you do.
A future firmware update will add a built-in quad splitter, allowing you to mix and switch up to four camera inputs on multi-cam projects.
Sony PVM-A170 17″ OLED Monitor£90.00
A versatile and high specification 17” OLED production monitor. This is our recommended monitor when precise colour accuracy & reproduction is essential.
Features include a wide viewing angle, fast response time, support for most HD & 2K SDI signals, dual input display and waveform/vector-scope function. The PVM-A170 also supports anamorphic image conversion and camera/lens metadata display.
Supplied fitted in an operational flight case for on-set use. The PVM-A170 monitor can be powered via either 12V DC or AC mains supply.
Denz 35mm Pentafinder£90.00
A solid super-35mm format pentafinder for use with our range of PL mount motion picture lenses.
Supplied with balance plate to enable comfortable weight distribution when framing with heavy prime & zoom lenses. The ergonomic wooden handle allows this director’s viewfinder to be used extensively on the hottest and stickiest of sets.
DJI Focus Single-Channel Wireless Lens Control System£80.00
The DJI Focus is a single-axis wireless lens control system optimised for DJI products such as the Zenmuse X5 series and the Ronin-M gimbal.
This WLCS is a great option for other camera and lens combinations where a cost-effective and compact wireless focus control is required. The DJI Focus system supports adjustable endpoints, so that photographic lenses without hard-stops can be precisely and repeatedly controlled.
The lens motor has an integrated receiver, meaning that no additional ‘brain’ is required, which reduces the weight and makes it particularly useful for handheld and gimbal operation. The DJI Focus is also compatible with DJI drones/UAVs such as the Inspire 2 and allows for the camera operator or 1st AC to have independent control over the focus during aerial filming.
Atomos Shogun Inferno£80.00
The Atomos Shogun Inferno combines advanced high resolution recording and playback with a 1500 NIT daylight viewable monitor. Weighing in at just over 1KG, the Shogun Inferno is well suited for on-board camera use and location production.
Supported capture formats include Apple ProRes, DNxHR and CDNG-Raw via SDI and HDMI input connections. The touchscreen user interfaces features waveform display, focus assist and frame guides for both spherical and anamorphic aspect ratios.
The playback menu supports editing functions to be performed such as setting in/out points on clips and the creation of playlists. The edit metadata can also be exported via XML for use in edit software such as Adobe Premiere Pro.
Our Atomos Shogun Inferno hire kit comes with a comprehensive range of accessories, media and power options for fast and effective on-set use.
ARRI MB-14 Production Matte Box£80.00
Arri’s industry standard, 4-stage swing-away matte box is designed to take 6×6 filters and cover almost all lens focal lengths, including 12mm.
Our MB14 kit is also supplied with step-down rings for smaller front-diameter lenses and PV filter tray reducers for using 4″x5.65″ size filters, making this sturdy matte box a great choice for all studio shoots regardless of the lens choice. The solid nature of this piece of kit makes it particularly useful on macro and VFX-heavy shoots where all movement must be kept to a minimum.
We stock a wide range of 6×6- & PV-sized filters compatible with the matte box, alongside 138mm full and split diopters.
ARRI MB-28 Production Matte Box£80.00
The MB28 is a three-stage swing-away production matte box designed for 6×6 filters, though is also compatible with PV (4×5.65″) size filters.
Although this studio matte box is aimed at larger zoom lenses such as the Angenieux Optimo 24-290, it can also be used with most other prime & zoom lenses thanks to a full compliment of reduction rings. This is particularly useful when using wider focal lengths or large-front primes that require 6×6 filter coverage.
TVLogic LVM-173W 17″ Waveform Monitor£75.00
High-specification multi-format 17″ monitor with waveform & vectorscope display function.
Popular on studio when powered from a mains source or on location when powered by block batteries, this monitor can go anywhere you go and show you anything there is to see there.
SmallHD 703 UltraBright Monitor£70.00
The SmallHD 703 UltraBright is recommended when precise image composition, colour and exposure assessment is essential.
Whilst particularly well-suited for on-camera use, its rugged design and functionality also makes the 703 a good choice as a handheld/wireless directors monitor, especially considering how well it performs in high light.
Features of the SmallHD 703 UltraBright monitor include a 2200 nit brightness display, SDI & HDMI inputs, dual A/B source monitoring and 3D LUT support. Monitor functions are also quickly accessible via the intuitive joystick control.
The EyeDirect, also known as an ‘Interrotron’, is a useful device designed for interview filming which enables the on-camera subject to maintain eye contact with the person asking the questions. In other words, the interviewee is not staring at the camera lens, but is instead able to have eye contact with the interviewer. By using an EyeDirect the interviewee might feel more at ease with filming and may therefore give a more engaged and authentic response (well, that’s the theory anyway).
On a technical level, the EyeDirect MKII is straightforward to setup, features an adjustable 18″ balance plate and is compatible with almost any size camera/lens combination. Depending on the weight of camera being used, we would usually recommend using the EyeDirect MKII with a tripod such as a Sachtler 18 or 20.
ARRI MB-18 Production Matte Box£70.00
The MB-18 steps in when an MB-14 is too large for your production, but you need sturdiness and minute filter control.
Control comes from two independently sliding filter stages and an additional geared tray that allows you to precisely align your chosen filter as necessary, whilst sturdiness comes from the 19mm rigging option.
Please note a this matte box is only suitable for cameras with studio bridge plates.
ARRI LMB 4×5 Mattebox£60.00
ARRI’s latest lightweight mattebox in their industry-leading LMB range, the LMB 4×5, expands on the features and creative possibilities of ARRI’s mechanical accessories. Suited for a wide range of applications, this robust, lightweight matte box allows for an unprecedented level of flexibility.
From single filter configurations for gimbals, drones, or Steadicam to three filter stage, rod mounted solutions (using either 15mm lightweight or 19mm studio rods), the ARRI LMB 4×5 quickly adapts to a range of shooting scenarios.
Our comprehensive hire kit includes a full set of clamp-on backs, a set of flags and 3 filter stages.
Apple 15″ Retina Display MacBook Pro£60.00
A 2018 MacBook Pro with a crystal-clear Retina display for on-set data management and post-production work.
Equipped with a powerful 2.9GHz i9 processor, 32GB of DDR4 memory and a 1TB internal flash storage, this is a great weapon in the arsenal of any DiT working to keep your post-production time and costs minimal.
We supply our 15″ Retina kits with an array of software, so speak to a technician to tailor a kit perfect for your production.
TVLogic 7″ LVM-074W HD Monitor£60.00
This 7″ TVLogic monitor is slightly larger than the VFM series, but still lightweight enough to use as an on-camera monitor.
Due to the larger screen and the fact the monitor can be powered by V-Lock batteries, this unit has become a popular choice for directors who require freedom of movement and the same manoeuvrability as their camera crew.
SmallHD DP7-PRO OLED Monitor£60.00
The DP7 is an excellent 7.7″ on-board/field monitor utilising OLED technology for truly represented blacks for greater contrast.
Lightweight and easy to use, the DP7 has been designed so nearly all of the features and tools can be assigned to a smart key. This allows focus assist markings and histograms available at the touch of a button.
The unit has several preset LUTs, but can also detect user-generated look-up tables, making this monitor a great choice when shooting RAW pictures for high-end grading.
ARRI MB-20 Production Matte Box£60.00
The Arri MB-20 is an updated model of the popular MB-19 matte box, now compatible with wider focal lengths and made of lighter materials.
Similar to its predecessor, its modular design allows this matte box to be mounted on 15mm bars for handheld use, or on a 19mm adapter bracket for with heavier lenses and rigs.
Featuring three fully rotating filter stages, top- and side-chops and a set of 35mm clip-on hard mattes, the MB-20 sculpts light exactly as you see fit.