The Canon 17-120mm is a lightweight PL mounted zoom lens featuring an impressive focal-length range, detachable ENG-style servo control and 4K-ready optics.
This zoom lens draws power directly from the lens mount and is perfectly suited to the ARRI Amira and other Super 35mm format cameras.
Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design.
An upgraded, more durable chassis makes this camera even more formidable when either on set or on location and the new Canon-made PL mount allows the use of the very highest quality cinema glass available. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects.
In the vein of cameras now being able to shoot in nearly pitch dark, the C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.
Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design.
An upgraded, more durable chassis makes this camera even more formidable when shooting on the fly, whilst Canon’s autofocus technology and integrated lens control keep your pictures smooth and stable. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects.
In the vein of cameras now being able to shoot in nearly pitch dark, the Canon C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.
Boasting a 22x Zoom Range and an internal doubler, the Canon HJ22 is a workhorse B4 2/3″ lens. A great choice for all forms of HD broadcast applications, from live sport to news and OB/event coverage.
Weighing in at less than 2Kg, this lens is ideal for locked off shots as well as run and gun situations making it incredibly versatile. The 1.8 f/stop on this lens also allows for low light situations.
Canon 35mm EF-mounted prime lenses legendary in the stills world, now stamping their authority in the video market.
This set of five lenses covering focal lengths from 20mm-85mm all benefit from Canon’s excellent auto-focus motors and electronic iris control. The L-Series lenses have fast apertures across the board, giving you huge depths of field when used with modern large-sensor cameras.
We stock a wide range of powered adaptors to open this glass up to everything from the Sony A7sII & FS7 through to Alexa Mini & RED Helium cameras.
The Canon C300 is a BBC HD approved digital cinematography camera with a native, fully functional Canon EF mount. This popular camera has the traditional warm “Canon look”, good low-light capability (80,000 ISO) and 3 internal electronic ND filters to increase shooting versatility.
Compact and lightweight, but robust enough for extended period of use, the C300 lends itself well to almost any production and our comprehensive kit allows you to take full advantage of this camera.
The Canon C300 is a BBC HD approved digital cinematography camera with a native EF or optional PL mount. This popular camera has the traditional warm “Canon look”, good low-light capability (80,000 ISO) and 3 internal electronic ND filters to increase shooting versatility.
Compact and lightweight, but robust enough for extended period of use, the C300 lends itself well to almost any production and our comprehensive kit allows you to take full advantage of this camera.
The Canon 5D offers HD video recording onto in a lightweight, discreet body and can be supplied with a range of stills lenses, including Canon, Leica-R & Nikon.
Canon's now signature look is here complimented by fully manual audio recording and monitoring, making this compact DSLR great for documentaries, especially when filming in sensitive locations.
Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the Sony FS7 MKII and Red Epic-W.
With a fast, constant aperture, this lens is great for run-and-gun shooting when switching between primes isn't an option.
The Canon 16-35mm is colour matched to the 24-70mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
The Canon USM II is a long zoom lens covering focal lengths of 70-200mm and benefiting from a fully electronic, built-in image stabiliser.
With a fast, constant aperture, this lens is great for run-and-gun shooting. The Canon 70-200mm is colour matched to the 16-35mm & 24-70mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
Compact EF L Series lens with a wide zoom range and image stabilizer function.
With a focal length of 24-105mm, this lens lends itself well to shooting on DSLR cameras in documentary style situations.
The Canon USM II is a mid-range zoom lens covering focal lengths of 24-70mm and is the workhorse of the popular L Series zoom set.
With a fast, constant aperture, this lens is great for run-and-gun shooting. The Canon 24-70mm is colour matched to the 16-35mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
This wide-angle, EF-mounted Canon lens is great for sweeping landscapes and impressive interiors.
Featuring the same build quality, auto-focusing and colour representation as you've come to expect from the latest Canon glass, this is a great addition to the L Series set for documentary/travel projects.
Fast, high-specification telephoto zoom lens with a full electronic EF mount for precise lens control when used with Canon cameras and DSLRs, such as the Canon C300 MkII and the 5D MkIII.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
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