ARRI’s Alexa Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our Alexa Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string.
The Alexa Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board.
We’ve geared our ARRI Alexa Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production.
We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.
With great colour rendition and contrast, the Zeiss CP.2 lens set is perfect for achieving great pictures on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot and the availability of the supplementary 100mm CP.2 T2.1 lens.
The Kinifity Mavo LF is a large format cinematography camera capable of up to 6K resolution and frame rates of 100fps at 4K (75fps in 6K). It features a range of new technological capabilities, including an integrated wireless video transmitter, electronic ND filtration and a dual native ISO function.
As a relatively compact camera, the Mavo LF is also particularly suited to gimbal and handheld shooting setups.
Speak to our bookings team if you would like to arrange a demo.
With great colour rendition and contrast, the Zeiss CP.2 lens set is perfect for achieving great pictures on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot and the availability of the supplementary 21mm, 28mm & 100mm CP.2 lenses.
Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design.
An upgraded, more durable chassis makes this camera even more formidable when shooting on the fly, whilst Canon’s autofocus technology and integrated lens control keep your pictures smooth and stable. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects.
In the vein of cameras now being able to shoot in nearly pitch dark, the Canon C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.
Canon 35mm EF-mounted prime lenses legendary in the stills world, now stamping their authority in the video market.
This set of five lenses covering focal lengths from 20mm-85mm all benefit from Canon’s excellent auto-focus motors and electronic iris control. The L-Series lenses have fast apertures across the board, giving you huge depths of field when used with modern large-sensor cameras.
We stock a wide range of powered adaptors to open this glass up to everything from the Sony A7sII & FS7 through to Alexa Mini & RED Helium cameras.
The Canon C300 is a BBC HD approved digital cinematography camera with a native, fully functional Canon EF mount. This popular camera has the traditional warm “Canon look”, good low-light capability (80,000 ISO) and 3 internal electronic ND filters to increase shooting versatility.
Compact and lightweight, but robust enough for extended period of use, the C300 lends itself well to almost any production and our comprehensive kit allows you to take full advantage of this camera.
The Blackmagic Design Cinema Camera features a 2.5K image sensor, 13 stops of dynamic range and a Canon EF lens mount. It’s capable of recording 12-bit RAW files at 2.5K resolution, as well as 10-bit Apple ProRes and Avid DNxHD formats at 1080p.
The camera records to the three included 240gb removable 2.5″ SSDs, which enable the high data rates required for RAW and ProRes HQ recording. We recommend pairing this camera with a V-lock battery kit to use this camera to its full potential.
The Canon 5D offers HD video recording onto in a lightweight, discreet body and can be supplied with a range of stills lenses, including Canon, Leica-R & Nikon.
Canon's now signature look is here complimented by fully manual audio recording and monitoring, making this compact DSLR great for documentaries, especially when filming in sensitive locations.
Matching the quality of the wide CP.2 lenses and featuring an impressive close focus of 2’6″, the Zeiss CP.2 100mm lens is a great addition to your arsenal when shooting on a budget.
This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable EF & PL mounts, allowing the lenses to be used with a wide range of cameras from traditional cine to DSLR systems.
Speak to one of our bookings team about which mount you'd like for your shoot.
Part of the L-series range of Canon EF lenses, the 100mm f/2.8 Macro has a magnification ratio of 1:1 and features advanced Image Stabilisation (IS).
Well suited to both stills and cinematography applications, the Canon 100mm macro is a popular choice for close-up and portrait work. We can supply the lens with a range of mount adapters to make is compatible with cameras such as the Sony FS7 MKII and Red Epic-W.
With a fast, constant aperture, this lens is great for run-and-gun shooting when switching between primes isn't an option.
The Canon 16-35mm is colour matched to the 24-70mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
The Canon USM II is a long zoom lens covering focal lengths of 70-200mm and benefiting from a fully electronic, built-in image stabiliser.
With a fast, constant aperture, this lens is great for run-and-gun shooting. The Canon 70-200mm is colour matched to the 16-35mm & 24-70mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.
Compact EF L Series lens with a wide zoom range and image stabilizer function.
With a focal length of 24-105mm, this lens lends itself well to shooting on DSLR cameras in documentary style situations.
The Speed Booster XL is an optical lens mount adapter which we recommend for using compatible EF mount lenses on the Blackmagic Pocket Cinema Camera 4K. In addition to adapting the lens mount, the Speed Booster increases the maximum aperture by 11/3 of a stop and makes the lens 0.64x wider. The mount is also active and supports electronic lens control such as iris and image stabilisation (IS).
For an up to date list of compatible EF lenses, we recommend taking at look at the manufactuer’s product page here.
This wide-angle, EF-mounted Canon lens is great for sweeping landscapes and impressive interiors.
Featuring the same build quality, auto-focusing and colour representation as you've come to expect from the latest Canon glass, this is a great addition to the L Series set for documentary/travel projects.
Fast, high-specification telephoto zoom lens with a full electronic EF mount for precise lens control when used with Canon cameras and DSLRs, such as the Canon C300 MkII and the 5D MkIII.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
Available as part of a full set of L-Series lenses or on their own, the Canon L-Series lenses are as flexible as self-shooting glass gets.
This lens is fully colour matched with other focal lengths in the L-Series and benefits from Canon’s excellent auto-focus motors and electronic iris control.
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